(Difference)
1. LET THERE BE MULTIPLE

- use screens to power high intensity light to light the scene
- use science-fiction blockbusters (star trek, jupiter ascending)
- light with light vs club lasers and smoke machine
- projection: artificial lights, organic/inorganic, idealism without idealism
- colour: invention of the wheel of harmony, (unnatural) correction, atonal AI
- aberration: flares, dissemination, (self-)reflection, propagation…
- dimension: lacanian flicker (strobe light) vs (VR) intuitionistic palette
- use the very footage of the movie as lighting

(Correlation)
2. FADE AND BLACK OUTS // THE CUT AS NO-THING

- the (scaled) redoubling: extreme verticality – plongée (many) / contre-plongée (one)
- vertical descent of light (God vs the people) into the horizontal distortion of perspectives (dimension)
- incompatibility of cognitive constructions: extreme inequality
- incongruous atonal angle into regulated (or unregulated) perspectives
- shape: the nation’s flag, the flag's colours, the military uniforms' colours, logos and currencies
- visual effects around angels and demons (with and without sound or shape: minimal darkness contour)

(Asymmetry)
3. HALUCINATIONS AND SUPERPOSITION // FUTURE DIMENSIONS (CGI)

- anachronism: atonal music and club lights
- visions of the future: may we november, nothing (capitalist) took place other than the place
- contemporary interfaces: (AV performance) screen, semi-auto communication
- trapped in a flooded communication (saturated horizontalism)
- the same as the first, not as tragedy but as farce: deheritage
- surrealism and neo-realism: past compossibilities and future compatibilities into neoclassicism

Computational trinitarianism and mathematical sheaves

the father, the son, the holy spirit
- logics: proofs of propositions
- languages: programs of a type
- categories: mappings between structures

Leray: two topological spaces, upper one projected onto bottom one (base)
- the sets of inverses (along the projection) of points in the base are the fibers of the sheaf
- the inverses of neighborhoods are the local sections of the sheaf
- how local sections can be glued together into a global section

Grothendieck: new category-theoretic understanding of
- number (schemes)
- space (topos)
- form (motives)

premisses
- philosophical (absolute) ennemies vs geopolitical (real) ennemies
- epistemological (cognitive) break into quantitative era
- postcapitalist science-fiction (space and brain conquest, VR and AI)

the three stages of change - badiou: site, singularité, événement
- the lighting: speculative transcendentalism
- the perspective: collapsed world
- the temporality: future dimensions

transitions - “le monde va changer de base”
- the question of paint and the question of math
- the origins of not writing but projecting
- and not only for thought

methods of constructibility
- the projection of light onto scene
- the (literal) suspension of plongée/contre-plongée
- the eruption of science-fiction

places
- lights / pre-quantity / dynamist (multiples of variable intensities)
- dimensions / quantity / mecanist (combination of undecomposable units)
- flashes / post-capitalism / may we november

hellish fire
- peasants burning their tax records and autodafés
- the burning of witches – Caliban et la sorcière
- the candle lighting the scribe-monk - Saint Jerome and the Angel, Simon Vouet

- constructivism < escabot, selfie stick
- transcendentalism < strobe light, lasers
- genericity < smoke/flood
- möbius < cgi
< projector

- plan concrete scene with constructed shots
- revise mwn into futurist transcendentalism
- invent new forms from generic matter
< möbius montage

the ruin
- speculative medievalism: décor, costume, langue
- construction du plan/fortification
- le siège du voisinage: décorpstruction et front d'attaque
- l'architecture anachronique: la ruine idéologique
- la question de la localisation spatio-temporelle: ère pré-quantitative vs. post-capitalisme